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mole
It was small wonder, then, that he suddenly flung down his brush on the floor, said 'Bother!' and 'O blow!' and also 'Hang spring-cleaning!' and bolted out of the house without even waiting to put on his coat.
------------ Kenneth Grahame
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Sunday, November 08, 2009 :::
How the Light Gets In
Woke with Leonard Cohen running through my mind:
Ring the bells that still will ring Forget your perfect offering There is a crack, a crack in everything That's how the light gets in.
The songwriters I'm growing old with: Leonard Cohen, Paul Simon, Joni Mitchell, Bob Dylan. I like to think of my life as having had dramatic turns -- from antisocial to social, from atheist to buddhist, from anarchist to conservative, and so forth -- but when I look at the singer-songwriters that first caught my imagination, and still can, I realize that really I've been much more all of a piece than I think. The same themes run through it all: loneliness; longing for God; wanderlust; love of the down and outs, the odd men out, the beautiful losers. The beauty in the breakdown. The refusal to endorse sanitized packaged quality-controlled materialism; the refusal to say that all suffering is deserved and all beauty is up for sale. The conviction that it's not a feast unless everyone's invited, even the awkward ones who can't stay sober and haven't had a bath this year. It's all there from the start. I haven't changed that much.
The world around me has changed. It's filled up with love and understanding. I feel seen and held and appreciated to a degree that would have been inconceivable to me when I was thirteen years old, listening to the stereo in the dark at 2:00 am. I had listened to the songs so many times that I could play them at a bare whisper in the living room, and hear them at full volume and in full detail in my mind's ear, without the risk of waking anyone. I'd fall asleep sometimes on the floor in front of the stereo, and wake up stiff and chilled with dawn trickling through the eastern windows. It was poetry, poetry and music, keeping me alive. The only connection with other human beings -- though I'd never met them and never would -- that seemed real enough to bother with. They kept the thread from snapping through that long spiritual and emotional poverty.
There's no way to thank them, except to lift up the song again. But I don't think they want anything else from us.
posted by Dale at 5:39 PM
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Saturday, November 07, 2009 :::
Angels
Weary, weary, weary. Unable to sleep, with Martha snoring next to me like a bandsaw all night. Around 4:00 she wakes enough to become aware of my wakefulness. Sighs at my inexplicable insomnia. Offers to rub my back to put me back to sleep, which is very sweet: strokes once, twice, and then is asleep and snoring again. I get up. Sister is crying in the downstairs bathroom, where she's been shut up to stop her from peeing everywhere. In the daytime we can at least keep up with her. Martha has an elaborate and well-researched plan to stop her. It involves spraying cat pheromones, and a number of other things, and I don't understand it.
Alan gets up at 6:30 to go to his fire training. I make him some eggs, working despairingly around the huge mess in the kitchen. Not just the mess from his D&D buddies last night: every surface of the kitchen not littered with dirty dishes is covered with sticky-taped trays, so that Sister won't jump up and pee on them. This does indeed make it so that Sister can't use the room as a bathroom. It has as a minor side effect, though, that I can't use it as a kitchen. "I can't sleep in my bed, I can't cook in my kitchen, I can't pee in my bathroom," I pout to myself. Oh, such troubles I have. I can't drive my car, either, because Alan's taking it. Feeling myself immensely ill-used, I laboriously kit myself out in my new rain gear and ride the couple miles to Tosi's. It does not, of course, rain. At Tosi's I take all the stuff off again.
But now I'm happy. My laptop comes through for me: all I have to do this morning is loop the power cord over the top of the screen, and that changes the tilt of the connection enough that it can suck. Sucking -- I think of it that way, now. Like trying to get a fussy baby to nurse.
And the new rain gear makes me deeply happy. From J&G in Eugene: I bartered some massages to have a personal shopper, who found me the coolest rain pants in the world, and excellent booties (nothing will make booties cool, but these are dry and have good traction, which is better than cool), and a rain jacket. I thought I was just bartering for the shopping, but she's giving me the stuff, too. It all makes me much happier than any set of cash transactions could. Carlyle talks of Capitalism making cash "the sole universal nexus between man and man": any subversion of that feels like a triumph. I often think of how much emotional texture the world of objects must have had before cash economies. Every object had a story to go with it: it carried your history with the person who made it or acquired it, their work that went into it, your work or your stuff that you traded for it. Your whole world would be rich with what we now condescendingly call "sentimental value" (as if, when push comes to shove, there is really any other kind.)
So will I build my altar in the fields, And the blue sky my fretted dome shall be.
I got by interlibrary loan Richard Holmes' selection of Coleridge's poetry, with wonderful notes, which I'm reading with increasing excitement and appreciation. Holmes is right that Coleridge is often presented, unfairly, as a flash-in-the-pan poet. He actually had a long and fruitful poetic career. I used to think of him in the same way I think of Keats and Shelley -- meteors, more intriguing often for the might-have-beens than for the achievement. But now I think of him more like Wordsworth, as someone who actually accomplished all he was sent to do: though neither he nor his friends ever recognized it.
Much of his best later verse he did not publish, because he thought it too dark, or too obviously passionately addressed to a woman not his wife. He never lost the sense of pastoral responsibility he took on as a lay preacher in his early days, and he felt he should protect his audience from lines such as these:
O Man! Thou vessel purposeless, unmeant, Yet drone-hive strange of phantom purposes! Surplus of Nature's dread activity, Which, as she gazed on some nigh-finished vase, Retreating slow, with meditative pause, She formed with restless hands unconsciously. Blank accident! Nothing's anomaly!
(Though these in fact he did publish -- "Human Life" -- with a self-refutation carefully attached.) He is somehow the most human, the most endearing of the Romantic poets. The least grandiose. For all his posturing and theatrics, he meets you honestly on the road, as a fellow human being and nothing more.
Stop, Christian passer-by! -- stop, child of God, And read with gentle breast. Beneath this sod A poet lies, or that which once seem'd he. O, lift one thought in prayer for S. T. C.; That he who many a year with toil of breath Found death in life, may here find life in death! Mercy for praise -- to be forgiven for fame He ask'd, and hoped, through Christ. Do thou the same!Labels: Coleridge, Poetry
posted by Dale at 9:55 AM
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Thursday, November 05, 2009 :::
Reporting Live from the Front
So this Thinkpad T41, like its predecessor, is not long for this world. Much as I like these machines in most ways, they have fatal flaw: the power connection gets loose after a year or two of daily use, becomes unreliable, and finally fails altogether. Meaning the power doesn't get to the battery, the battery doesn't charge, and the laptop doesn't go. For a while, by tilting and waggling and prayer, you can get the juice to flow again, intermittently, but the writing's on the wall.
Soldering the damn thing is possible. Someone in town here offers to do it for $150, but they emphatically decline to guarantee the result. But $150? That's halfway to a brand new ASUS eee.
I was particularly peeved when I was thinking that I'd just gotten the present machine a few months ago. But a year and half is really not so bad a run for a used laptop. They're not terribly durable. So I'm looking at cheap netbooks. Probably Linux: I've about had it with being pushed around by Mr Gates. Not only do you have to buy his damn operating system, then you also have to buy the virus protection to make up for its security flaws. A better operating system with rational security from the start and a reasonable footprint seems like a much better deal. Plus I have been not at all happy about Windows' increasingly pushy updates. I'll download things when I damn well want them, Mr Gates!
So anyway, if it falls silent here, you'll know there's been a direct hit, and I've had to scramble for cover. Then, hopefully, communications will resume from some Finnish-Taiwanese outpost in not too long a time. If anyone knows of a cheap netbook alternative that they like, let me know!
posted by Dale at 11:47 AM
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Tuesday, November 03, 2009 :::
Spooky Things
The morning after Halloween, somebody had abandoned part of their Halloween costume on our lawn: a pair of black feathered wings, apparently a riff on angel wings. They lay awkwardly on the maple leaves: tawdry somehow, as most Halloween things are in the light of day.
But they still had the power to spook some of the residents of our neighborhood. Not long after daybreak they started assembling, scores of them, in the trees and the telephone wires, and started shouting, in shrill (for crows) voices. They did not like that black feathered thing on the ground. It was damned eerie and wrong. They wouldn't leave off making a racket until we came out and took the thing inside. Then they subsided, and in a few minutes later, after a few more warning shouts, they were off to do their morning crow things.
I've been trying to figure out why I so loathe changing the clocks twice a year for so-called Daylight Saving Time. I've always hated it, but growing up as a morbidly sensitive boy you get used to the fact that there are things that greatly distress you that ordinary people shrug off, or even enjoy. This is just one of those things, like torturing insects, that nobody is going to feel as strongly about as I do.
So later that same morning, seven people assembled at the Foundation for our 9:30 Monday morning meeting, each one of them knowing in their heart that it was really 10:30, each pretending that we were doing it at the usual time. I wanted to gather all my friends to cluster on the telephone wires roundabout and shout "Wrong! Wrong! Wrong!" with me. Instead I meekly delivered the fundraising report.
It's partly that I love watching the slow change of the seasons against the stable marks of the hours, the sun rising later and later. And then suddenly somebody moves the marker, just as the drama had become most interesting, and it all becomes meaningless and confusing. For a week or two I'll be disoriented, and when I come out of that strange state, it will be winter. I never get to see fall turn into winter, and I never get to see spring turn into summer, because there's this sudden arbitrary convulsion of the clocks twice a year.
Don't read this last bit. This is where I turn into a crank, like your Uncle Fritz who's still passionate about bimetallism.
If I were emperor I'd decree two clock times, a universal 24-hour clock, with 6:00 AM being some randomly chosen time -- say, sunrise on the Pacific coast of Ecuador -- which you'd use when you needed to coordinate time across more than a couple degrees of longitude, and then a local time, with 6:00 AM being sunrise wherever you happened to be. We have the technology to do this. There's no need to be fiddling with clocks all the time. We're perfectly capable of creating clocks that know where they are and will automatically key themselves to the sunrise there.
I know, I'm the morbidly sensitive boy: but as the only morning person in a houseful of night-owls, I watch the wrenching daily struggle of my household to wake up at an arbitrary clock time, rather than at a time that their circadian rhythms could synchronize with, and I wonder why the devil we do this to ourselves. The technologies that mandated our clock time are obsolete now, and our coordination requirements are now global. Two-hour time zones, across thirty degrees of longitude, made sense in the days when railroads were king and telephones were rare (which is when they were invented). I don't think they do any more. In your daily work you're as likely to need to set up meetings with people in Bombay and Shanghai as with people in Pittsburgh and Duluth, in which case the time zones are more confusing than helpful. As fossil fuel becomes more expensive, mid-range travel, on the hundred- to three hundred-mile scale, will probably become rarer. You'll be dealing either locally or globally. The variations between clocks that know the sunrise won't matter locally, because they're so small, and beyond that you'd just switch to the universal clock. There'd be some complications, of course, but there are complications now: we just take them in stride because we think it's natural for 7:00 to be one time in Paris, and another in Tokyo, and neither to tell you anything very accurate about where the sun will be in the sky. If there were only two times -- local or global -- your watch (or rather, I suppose, your phone), could just toggle between them. "Sure, I'll call you at 15:30 U, which will be (toggle) 2:30 my time." And when you were trying to arrange to conference in Li Zhan Jun in Guangzhou, she'd know right away, without trying to do any mental gymnastics, that 15:30 U would be the middle of the night for her people. Would that be harder than what we do now?
posted by Dale at 2:02 PM
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Sunday, November 01, 2009 :::
What the Pikas Said
The blush of sunset is fading from the sky: a pair of ravens, cut-out scraps of black paper, cross that dim orange country, that ocean of passionate air. They're all business now. There's not much that ravens are afraid of, but even they are uneasy in the half light, and they're heading straight home.
My feet are sore. But all is quiet, and I'm down in the valley land, and confident of hitting the forest road soon. I try to remember if there's going to be a moon tonight.
It's that time when hikers begin to sing, when they're in company, such scraps of old song as they have in common: old maudlin or patriotic songs that they learned in childhood, back before singing was something left strictly to professionals or karaoke exhibitionists, back when everybody sang. At ordinary times and in ordinary places they'd be embarassed to sing such songs. But the woods at twilight make even the brashest primates want to huddle together and forget their pretensions of independence. If I had someone to sing with, I'd sing. Home Sweet Home. America the Beautiful. Something like that.
Here it is. Forest Road 2143. It strikes me again as odd that big impersonal streets that mean nothing to people get names, but these little tracks in the wilderness, that can mean life or death -- or anyway a night in bed or a night shivering in the leaves -- only get numbers. Maybe the problem is that there aren't enough names to go around. Lost Road. Ten Mile Road. Home for Dinner Road. They'd all have names like that.
It's just a matter of time now. I walk steadily. I have a flashlight, but getting a better picture of the road isn't worth blasting my night vision. My feet can find their way.
I suspect that it's often this way with vision quests: it's only when you're pondering their failure that you find the message that was really left for you. Because to hear something new, first you have to set aside what you were expecting. Coming home empty handed, I suddenly hear again the whistle of the pikas, and their failure to leave their comfortable dens and show themselves becomes itself the message. It's not that you can't find your way, they tell me. It's that you're already home.
posted by Dale at 12:09 PM
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Friday, October 30, 2009 :::
Gift
I walk down through the ferns on the wrong side of the mountain. The sun is level and glints in my eyes. Sometimes it's more important to lose elevation fast than to know exactly where you are.
There's a little watercourse, and the rule of thumb -- don't try this in Alaska, but it works here in the Willamette Valley -- is, if you follow the flow of water, you'll come to human dwellings eventually.
I have nothing but a certain gift for entering other people's worlds. It's all I ever had: it's what God gave me to make my way with in the world. Some were given a gun; some were given a gift of song or dance; some an agility with numbers; some a way with words or syllogisms, with clay or paint, with giving orders or taking them.
I was given a pale gray pebble. My gift. It warms when another heart is near and sends me words, pictures, bits of song. It tells me what they've heard in the past, and what they long to hear now.
It comes at a price, of course. I must be below the tree line by nightfall, or the mist people will take me. I see them now, beginning to show themselves, cleverly using thorn branches to accentuate their thrawn, bony arms, using the pale lichen to draw their beards, peering through the clinging beads of the recent rain to make their eyes. I never know if they're what I came from, or what I'm fated for, but someday I'll find out. Someday I'll linger too long on the mountain top, and those cold fingers will coil around my ribs and thighs.
I haven't learned much, in this little jury-rigged life, but I have learned this: you pay for gifts.
posted by Dale at 12:26 PM
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Tuesday, October 27, 2009 :::
Shore
I hold your foot to my chest, as my thumbs work their way up the sole. Fold the metatarsals around one hand with the other, and then
splay them with both. Work the motherloads under the ball of the foot, under the first toe-joints. Tweak the tips of the toes.
Give each a little tug: like straightening five little spines. Hold them a moment, feeling the heartbeat echo in them, with some sense that's neither quite
hearing nor touch, the life pulsing, glowing like the sun seen through closed eyelids. This is love if anything is. Wading ashore on a bright day. This new
gentle country, after months of stormy crossing. I have outlived all my people. I am ancient, made of shrivelled flyaway tatters
and gnarled stick-bones. The sun is all the more grateful for that. The lendings all thrown off. I come ashore slowly, like a wasp
crawling from a puddle, brilliant in the sun. I am too old to die now. I am past the dangerous withering phase.
There's nothing in me now but light and love, the sunbeat, and a few fine scraps of deathless skin and bone.Labels: Massage, Poems
posted by Dale at 10:51 AM
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